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Radio Station

No licence, no antenna, no neighbours. Just a knob, a filter and an empty log to fill in - the part of amateur radio you can practise indoors.

14050.00

 

S meter

S0

 

What a band survey actually is

Before an operator calls anyone, they listen. Slowly from one end of the segment to the other, noting who is there, how strong they are and who is already busy with whom. It takes a few minutes and it decides everything that follows - calling on top of an ongoing contact is the one mistake that annoys everybody.

That is the exercise here. The band holds between three and twelve stations depending on the setting, and none of them are marked on the scale until you can genuinely hear them. Find them by turning, not by looking.

Reading the S meter honestly

The meter shows the strongest signal in the filter, plus the noise floor underneath it. It does not add signals up: three stations at S5 read S5, not S15. A meter that counted signals would be a signal counter, and no receiver has ever had one.

With nothing in the passband the needle rests on the noise, which is why a busy band never reads zero. On the contest setting the floor alone sits around S3 - that is the sound of a hundred distant stations you cannot separate, and it is the reason a weak signal on a crowded band is harder than the same signal on a quiet one.

S units are roughly 6 dB apart, so S9 is not three times S3, it is around sixty times the power. The scale is compressed on purpose.

Why operators keep a log

Every contact goes in the log: call sign, frequency, signal report, time. In many countries it was a legal requirement for decades, and it is still the basis of every award, every QSL card and every contest score. If it is not logged, it did not happen.

Here the log takes a call sign and records the frequency and strength it had when you heard it. Enter one that is not currently audible and you are told so rather than simply marked wrong - because those are two different mistakes. Misreading a call sign is a copying problem; logging a station you never heard is a discipline problem, and only one of them is fixed by practice at the key.

Where the simulation stops

Worth being straight about. This models the three things that matter for learning to operate: that tuning shifts the pitch, that the filter decides who gets through, and that signal strength belongs to the station. It does not model propagation, antennas, the ionosphere or the way conditions change with the hour and the season.

Nor does anybody answer you. It is a receiver, not a contact - for a full exchange there is First CW QSO, and for the sharp end of a crowded band, the pileup trainer. What this page gives you is the hour of listening that comes before either.

Frequently asked questions

  • Do I need a licence to use this?

    No. Nothing here transmits. A licence is needed to put a signal on the air, not to listen - and listening is what this page is for.

  • Why do the same stations sound different in pitch?

    Because the pitch comes from the difference between the station frequency and your tuning. Two stations that are both audible at once are audible at different pitches - that is exactly how you tell them apart.

  • What do the frequencies mean?

    The band runs from 14030 to 14070 kHz, the CW segment of the 20 metre band. Forty kilohertz is genuinely all the room there is, which is why stations end up so close together.